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Armin Strom - How an Armin Strom in-house movement comes to life

Armin Strom How an Armin Strom in-house movement comes to life

The independent brand from Biel has one of the highest levels of vertical integration in the industry.

If you have the opportunity to visit a watch factory, you will no doubt see many different operations being performed by different machines and people with different specialisations. Only at Armin Strom, however, will you see all these tasks being performed in such a compact space at one of the industry’s smallest, yet no less capable, “manufactures”.

How an Armin Strom in-house movement comes to life

Manufacture © Armin Strom

No new watch movement would ever see the light of day, however, were it not for the original ideas of the engineers and watchmakers behind them. In the case of Armin Strom, it is Claude Greisler who puts ideas such as the one for the revolutionary Mirrored Force Resonance movement down on paper before they are transferred to computer-aided design programmes to start modelling the movement. Like so many things at Armin Strom, all of this is done in-house, with the dimensions calculated down to a precision of one micron to provide the inputs for the machines that will eventually produce the minutest of components.

How an Armin Strom in-house movement comes to life

Calibre ARF15 © Armin Strom

At Armin Strom, the majority of components in the movement, with the exception of the escapement and balance spring, are produced in-house. Small round components, such as screws, pinions and gear wheels, are produced by profile-turning machines, which gradually whittle-away long steel or brass rods from the side to cut teeth or axles. Larger components such as the mainplate and bridges are produced from brass on CNC machines, which are capable of machining along multiple axes consecutively using different tools for different operations, moving the component using robotic arms.

How an Armin Strom in-house movement comes to life

Fabrication © Armin Strom

Particularly small and delicate components, such as smaller bridges, levers and springs, are produced using wire erosion. This involves threading a wire that is not much smaller than a human hair through a tiny hole in the metal. An electrical current running through the wire reacts with a solution in which the entire working plate is dipped, thus “eroding” minuscule amounts of the metal. This allows particularly delicate operations to be carried out while maintaining the structural integrity of the metal. In fact, Armin Strom does not produce any of its components by stamping because of the stresses that this places on the metal.

How an Armin Strom in-house movement comes to life

Decoration © Armin Strom

Once the raw components are fabricated, they are engraved, bevelled, polished and decorated with circular graining or Geneva stripes by hand before moving on to the in-house electro-plating department. Here, all brass components are first given a gold plating before a layer of nickel is added to prevent corrosion and harden the surface. After cleaning, the parts are then dipped in other electroplating baths to give them their final colour such as rhodium, ruthenium or rose gold. It is only thanks to its mastery of electroplating techniques inside its own workshops that Armin Strom can allow customers to choose their preferred colours for the coating on different components.

How an Armin Strom in-house movement comes to life

Electroplating © Armin Strom

Only then can the individual components of the movement be passed on to the watchmaker for assembling. After setting the jewels into the mainplate and bridges, the gear train and mainspring can be added. Once the escapement and balance wheel are added, the movement finally comes to life… only to be completely disassembled, cleaned and dried before being re-assembled and lubricated. After several days of testing the precision, the watch is finally ready for the customer.

How an Armin Strom in-house movement comes to life

Assembling © Armin Strom

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The ARMIN STROM manufacture expresses the very substance of its founder’s legacy. Its guiding principle is that of reinterpreting watchmaking tradition. To this end, it applies the principle of making movements visible and decorating them at every stage of their design and production.

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