Biennale di Venezia

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Biennale di Venezia - Jaeger-LeCoultre
American director Abel Ferrara awarded the Jaeger-LeCoultre Glory to the Filmmaker 2020 prize.

La Biennale di Venezia and Jaeger-LeCoultre announce that the American director Abel Ferrara (Pasolini, Bad Lieutenant, King of New York) is the recipient of the Jaeger-LeCoultre Glory to the Filmmaker award of the 77th Venice International Film Festival, dedicated to a personality who has made a particularly original contribution to innovation in contemporary cinema.

The award ceremony for Abel Ferrara is taking place today in the Sala Grande (Palazzo del Cinema) at 2 pm, before the screening Out of Competition of his new film, the documentary Sportin’ Life (Italy, 65') with Abel Ferrara, Willem Dafoe, Cristina Chiriac, Anna Ferrara, Paul Hipp, Joe Delia.

Biennale di Venezia

“One of the many merits of Abel Ferrara, who is widely held in esteem despite his reputation as one of the most controversial filmmakers in contemporary cinema, is his undeniable consistency and allegiance to his personal approach, inspired by the principles of independent cinema even when the director had the opportunity to work on more traditional productions," has stated Alberto Barbera, Director of the Venice Film Festival. "From his first low-budget films, influenced directly by the New York scene populated by immigrants, artists, musicians, students and drug addicts, through his universally recognized masterpieces – The King of New York (1990), Bad Lieutenant (1992) and Body Snatchers (1994) – to his most recent works, increasingly introspective and autobiographical, Ferrara has brought to life a personal and exclusive universe. From the original conflicts between guilt and innocence, redemption and religion, sin and betrayal that prevailed in his cinema for so long, along with the portrayal of abject, urban violence in the nocturnal metropolis, Ferrara has arrived at original speculations on the end of the world and the impossibility of finding meaning in the relationship between individuals and society. All this confirms him to be one of the most interesting and unreconciled directors of the moment.”

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