Richard Mille The Mechanics of a smile
RM 88 Automatic Tourbillon Smiley
The smile, universal and multivalent, is fundamental to our social interactions; an expression of our innate desire to connect with others. Like the little yellow face that appeared in 1972 in the pages of the French newspaper, France Soir which rapidly went viral, the Smiley conveys positive energy. It is a symbol of communication that comes to life today in the effervescent world ofthe RM 88 Automatic Tourbillon Smiley.
This new in-house automatic tourbillon calibre is highly technical and creative and took three years to develop. Each of its decorative elements are cheerful emanations ofthe Smiley world: a blossoming flower, the warm rays of the sun, a delicious pineapple, a blooming cactus, a pink flamingo and a brightly-coloured rainbow. A festive cocktail to be savoured drop by drop, as the drinking glass in this neon pop scene suggests.
RM 88 Automatic tourbillon smiley © Richard Mille
The RM 88 Smiley bears witness to a succession of technical and aesthetic challenges that were successfully overcome. The dimensions and weight ofthe gold micro-sculptures created by the engraver Olivier Kuhn required particular care, as the assembled parts, each weighing less than a gram, must withstand every type of shock. It was then necessary to determine how to arrange the objects in the three-dimensional space around the central motif, the Smiley, not only to maximise their effect but also to facilitate their insertion by the watchmaker. The solution was to equip the RM 88 with two baseplates: one technical, to support the movement, and the other auxiliary, to secure the ornamentation on the left-hand side of the dial. This second baseplate was subsequently mounted onto the movement and serves to present the objects on an inclined plane for added volumetric effect.
The second challenge faced was the conception of a movement that allowed enough free space to display the multiple protagonists of this scene with optimum impact, as befits the level of finishing bestowed on them. The new CRMT7 calibre, a skeletonised automatic tourbillon movement with hour, minute and function displays, was developed in house. Its bridges and micro-blasted baseplate are made of grade 5 titanium, to ensure rigidity and flatness. The bridge ofthe explosive micro-blasted, bevelled and drawn-out tourbillon is graced with a complex double PVD coating in black and gold, a finish that is replicated on the bridge at the back ofthe baseplate, accentuating its lightning bolt form. With every minute,the figurative small-seconds hand alternates between rain and fine weather. It glides its way over the ARCAP cloud affixed to the tourbillon and then hides beneath a small cloud in microblasted and satin-finished white gold. It re-emerges once again at the foot of a cheerful rainbow designed in four different types of gold. The rainbow itself has an alternated microblasted and drawn-out finish and represents 25 hours of craftmanship.
RM 88 Automatic Tourbillon Smiley © Richard Mille
No effort has been spared in the finishing, down to the tiniest detail of each element in this display. The cocktail glass is an assembly of four parts, all in gold. The umbrella, the olive (1.7 mm in height), the 0.4 mm-diameter grooved straw – all polished – and the glass itself, its base micro-blasted to create the chilled glass, weigh a total of just 0.4 g. The gold flower above is mirror-polished, its petals brushed and rhodium-plated. The pink flamingo, 0.2 g of red gold, also undergoes multiple processes: its wings are polished and its feathers traced with the tip of a Dégussit grinding stone; its eye is made using the smallest beading tool in existence; its pedestal is micro-blasted and the part that depicts the grass and water is polished. The component is given a metallic pink PVD coating before the beak is painted black using a brush.
RM Tourbillon Automatique Smiley © Richard Mille
The quest for perfection is ever-present, as demonstrated by the green PVD-coated leaves, the microblasted and polished surface of the pineapple, the microblasted spines of the cactus in yellow gold, polished one by one to remove the PVD coating, and the sun, in microblasted gold with polished rays. In keeping with watchmaking tradition, all finishing operations on the RM 88 Smiley are carried out by hand. Such splendour of colour and scenography, both front and back, deserved a setting that would do justice to the composition.
The case is made of white ATZ ceramic – well known for its resistance to scratches, shocks and abrasion, as well as for its eternal whiteness – whilst red gold was employed for the caseband. The crown bears the precious Smiley sculpted in yellow gold.
The RM 88 Automatic Tourbillon Smiley, with its three-dimensional aesthetics and splendid colours, takes on the vivid quality of a waking dream. A playfully colourful, poetic and lively creation limited to 50 watches. An enchanting masterpiece whose positive vibrations convey a universal language, that of the smile.
Richard Mille did not simply try to find his place in the watchmaking world – he carved one out for himself, constantly striving not to take anything for granted, and to make innovation and extreme technical prowess his driving forces.Find out more >
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